Barbara Creed The Monstrous Feminine Pdf Printer
In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body. With close reference to a number of classic horror films including the Alien trilogy, The Exorcist and Psycho, Creed analyses the seven `faces' of the monstrous-feminine: archaic mother, monstrous womb, vampire, witch, possessed body, monstrous mother and castrator. Her argument that man fears woman as castrator, rather than as castrated, questions not only Freudian theories of sexual difference but existing theories of spectatorship and fetishism, providing a provocative re-reading of classical and contemporary film and theoretical texts. This book provides a critical reappraisal of Barbara Creed’s ground-breaking work of feminist psychoanalytic film scholarship, The Monstrous-Feminine, which was first published in 1993. The Monstrous-Feminine married psychoanalytic thinking with film analysis in radically new ways to provide an invaluable corrective to conventional approaches to the study of women in horror films, with their narrow emphasis on woman’s victimhood. This volume, which will mark 25 years since the publication of The Monstrous-Feminine, brings together essays by international scholars working across a variety of disciplines who take up Creed’s ideas in new ways and fresh contexts or, more broadly, explore possible futures for feminist and/or psychoanalytically informed art history and film theory.
Managing the Monstrous Feminine takes a unique approach to the study of the material and discursive practices associated with the construction and regulation of the female body. Jane Ussher examines the ways in which medicine, science, the law and popular culture combine to produce fictions about femininity, positioning the reproductive body as the source of women's power, danger and weakness. Including sections on 'regulation', 'the subjectification of women' and 'women's negotiation and resistance', this book describes the construction of the 'monstrous feminine' in mythology, art, literature and film, revealing its implications for the regulation and experience of the fecund female body.
Critical reviews are combined with case studies and extensive interview material to illuminate discussions of subjects including: the regulation of women through the body regimes of knowledge associated with reproduction intersubjectivity and the body women’s narratives of resistance. These insights into the relation between the construction of the female body and women's subjectivity will be of interest to those studying health psychology, social psychology, medical sociology, gender studies and cultural studies. The book will also appeal to all those looking for a high-level introduction to contemporary feminist thought on the female body. This book explores the monstrous-feminine in Japanese popular culture, produced from the late years of the 1980s through to the new millennium. Raechel Dumas examines the role of female monsters in selected works of fiction, manga, film, and video games, offering a trans-genre, trans-media analysis of this enduring trope.
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The book focuses on several iterations of the monstrous-feminine in contemporary Japan: the self-replicating shōjo in horror, monstrous mothers in science fiction, female ghosts and suburban hauntings in cinema, female monsters and public violence in survival horror games, and the rebellious female body in mytho-fiction. Situating the titles examined here amid discourses of crisis that have materialized in contemporary Japan, Dumas illuminates the ambivalent pleasure of the monstrous-feminine as a trope that both articulates anxieties centered on shifting configurations of subjectivity and nationhood, and elaborates novel possibilities for identity negotiation and social formation in a period marked by dramatic change. Fourteen of some of the best writers in the horror genre invite you into their den of nightmarish stories.
If you don't watch out, you'll never be able to leave! Enter the world of the Monstrous Feminine, where fourteen authors weave a dangerous web of tales for your personal delight and fright. You'll meet an archaeologist who opens her mouth at the worst possible moment and you'll discover the protector of all life who decides the fate of humans. Follow four girls into their town at the height of the witching hour and bump into a peculiar woman who rehabilitates misogynists. Beware of a ravenous grandma and pray for the handyman who trespasses into a creepy house. Turn the pages and you'll unearth the reason a woman seeks comfort in a strange one-night stand, and you'll stumble upon a doctor and the disastrous epidemic ravaging her city. And family-you can't pick them or easily kill them, but never mess with a woman when the red moon rises.
What happens when certain women are mistreated? Or when experimental drugs are used on women without their consent? When something wild comes knocking at your door and the ground is smothered with a blanket of snow, what will you do? Don't go floating on the muddy river James to uncover the answers or you just might find you get carried far away! The composition of aesthetic beauty and its necessary correlation with the counterparts of ugliness and monstrosity have been the primary concerns of artists and philosophers through the ages. This collection of articles, selected from the proceedings of a conference on the theme of 'The Beautiful and the Monstrous' that took place at Cambridge University in April 2008, seeks to reassess conceptualizations and representations of beauty and monstrosity and offers a timely critical evaluation of the relationship between the two. By means of a variety of theoretical approaches and methodologies, the authors provide rigorous analyses of philosophical and artistic expression from medieval to contemporary literature, thought and culture from France and across the French-speaking world.
Throughout, they seek to challenge traditional approaches by addressing a diverse range of questions that relate to the beautiful and the monstrous: from formal, metaphysical and ethical considerations of aesthetics, to the threat of the monstrous in realms of psychoanalysis and politics; from figures of beauty and monstrosity as prescriptive social and identitarian categories, to transformations and metamorphoses which challenge the boundaries between human and monstrous other. Engaging with discourses on aesthetics, metaphysics, ethics, politics, psychoanalysis, feminism and postcolonialism, and discussing a spectrum of figures from angels to zombies, this collection offers a fresh range of perspectives on a fundamental transgeneric and transdisciplinary topic. This thesis is an exploration of self-harm as a response to trauma. Through poetry and hybrid writing, this thesis depicts a female monster who at some points shares the body of the narrator, and at others is born and reborn from the narrator. Her monstrosity comes in the form of multiple mouths that change the site of her body. The aim of this thesis is to confront privilege and shame; it does so by challenging values of the modern U.S.
Barbara Creed Monstrous Feminine Pdf
Imaginary, particularly the nineteenth-century ideal of the True Woman. The narrator, a white, able-bodied, upper-middle-class, heterosexual, cisgender, Christian woman grapples with her relative power through her interactions with the monster. Using the framework of intersectionality, I question the inherent beliefs behind this myth by engaging with assumptions about non-normative identities. The fear and violence that followed the events of September 11, 2001 touched lives all around the world, even in places that few would immediately associate with the global war on terror. In At the Limits of Justice, twenty-nine contributors from six countries explore the proximity of terror in their own lives and in places ranging from Canada and the United States to Jamaica, Palestine/Israel, Australia, Guyana, Chile, Pakistan, and across the African continent. In this collection, female scholars of colour – including leading theorists on issues of indigeneity, race, and feminism – examine the political, social, and personal repercussions of the war on terror through contributions that range from testimony and poetry to scholarly analysis.
Inspired by both the personal and the global impact of this violence within the war on terror, they expose the way in which the war on terror is presented as a distant and foreign issue at the same time that it is deeply present in the lives of women and others all around the world. An impassioned but rigorous examination of issues of race and gender in contemporary politics, At the Limits of Justice is also a call to create moral communities which will find terror and violence unacceptable. 'The Dread of Difference is a classic. Few film studies texts have been so widely read and so influential. It's rarely on the shelf at my university library, so continuously does it circulate. Now this new edition expands the already comprehensive coverage of gender in the horror film with new essays on recent developments such as the Hostel series and torture porn. Informative and enlightening, this updated classic is an essential reference for fans and students of horror movies.'
—Stephen Prince, editor of The Horror Film and author of Digital Visual Effects in Cinema: The Seduction of Reality 'An impressive array of distinguished scholars. Gazes deeply into the darkness and then forms a Dionysian chorus reaffirming that sexuality and the monstrous are indeed mated in many horror films.' —Choice 'An extremely useful introduction to recent thinking about gender issues within this genre.' —Film Theory.